January theater Puccini

These shows scheduled in January at the Teatro Puccini in Florence:

Saturday 10 January hours 21 and Sunday 11 January hours 16,45 "For large and Puccini, theater festival for children from 0 to 99 year old "; Catalyst presenta "The Musicians of Bremen" ("My Love Bremen").

Written and directed by Riccardo Lozenges,
Riccardo lozenges and the Camillocromo,
original music by Camillocromo: Alberto Becucci, Accordion; Francesco Masi, Trumpet; Rodolfo Sarli, Trombone; Gabriele Stop, Battery; Jacopo Rugiadi, Clarinet.

Loosely based on the famous fairy tale written by the Brothers Grimm, "The Musicians of Bremen" is a show of music, energy and fun smart. In re-reading stage written and directed by Richard Lozenges, six scatenatissimi and irreverent musicians-animals burst into the Opera Bremen where a staid conductor prepares to perform the "famous" work "Mein Lieben Bremen", and in the vain hope of real musicians agree to direct the six musicians animalistic.

But this is an impossible task: the unlikely discipline Austro Hungarian clashes with ethnic musical madness of the protagonists but eventually the music becomes a universal language, instrument of intercultural that crosses the boundaries and differences between people in a symphony finale that embraces different lands and cultures.

Animals coming from the street, with a kind of instinctive approach to music and popular, in the performance of the symphony will emerge their origin distorting the classic songs with the colors of their countries of origin: a rooster French, a dog Balkan, three cats and a donkey South American Romagna will create a new symphony, not based on a score, but on the meeting of different cultures, whose backdrop is the work of the Brothers Grimm.

Assigned Seating:
10 January € 12,00 + presale
11 January € 8,00 + presale

Friday 16 January hours 21, Magma srl con Andrea Maia Teatro Golden e Vincenzo Sinopoli presenta "Guests", Angelo Longoni, with Cesare Bocci, Eleonora Ivone and Marco Bonini.

"Guests" is a comedy fun, cynical but also romantic. The three protagonists live love as the most challenging of their activities, whether we chase, whether they flee, whether they detract, and the basis of their behavior is the conviction that, when you're in love, everyone gives simultaneously the best and the worst of themselves.

There is always something decidedly comic love, especially from the point of view of the observer from the outside. The viewer, recognizing how their certain features of the characters, includes that his behavior can be funny or ridiculous.

Love makes us all vulnerable, offers, tender, blind, or overly cautious, suspicious, aggressive, however, increasing the strengths and weaknesses of the people, mixing the characters and creating conflicts inevitably be even comedians.

"Guests" but also focuses on a phenomenon unfortunately increasingly common in this period: violence suffered by women by their former "love". In this play there is a desire to denigrate the psychology of these "executioners" putting to shame. The fact is impulsive violent man, infant, fragile, is unable to bear hardships, pains and frustrations and, for this, is also very ridiculous.

The adults are characterized by children because they meet the waste and disappointments metabolizing their own experience through the overcoming of pain. The violence is like a child: beats and then kneels to ask forgiveness. Swears he will not do more, promises to change, not to be meaner, then there falling back. So is ambivalent and unreliable, and confusing sexual desire with the right to be paid. He does not know to curb their sexuality and imposes. Has no estimate of his woman but swears eternal love. In conclusion, if we were not in front of a delinquent real, would exchange his identikit with that of a talented actor can play a part and its opposite in a matter of seconds, an actor manipulator.

The sector € 22,00 + presale
II sector € 18,00 + presale

Sunday 18 January hours 16,45, Pupi di Stac presenta "Puss in Boots",
processing of text and music by Henry Spinelli,
scene: Enrico Guerrini,
direction: Pietro veined,
with Margherita Fantoni, Patrizia Morini, Pietro veined.

The famous fairy tale, written by Perrault (The Puss in Boots) around the end of 1600, is known to most people in the translation of Carlo Collodi's 1875. In this cheerful puppet version, rivolta sia all’infanzia che ad un pubblico di tutte le età, si prendono un po’ le distanze dall’impostazione moralistica, tipica della tradizione delle favole, per cui “per i giovani l’industria, l’abilità e la svegliatezza d’ingegno valgono più d’ogni altra fortuna ereditata”.

Con vena più scanzonata ed ironica si punta l’attenzione sul personaggio del gatto, nella cui scaltrezza il pubblico dei bambini volentieri s’immedesima, quasi ad esorcizzare le difficoltà e le inadeguatezze dei piccoli di fronte al complesso mondo degli adulti.

Ci hanno aiutato nell’intento le numerose versioni presenti nella tradizione popolare italiana come “La Golpe” del Pitré o “Re Messemi-gli-becca-il-fumo” del Nerucci e ancora nell’Imbriani e nello Straparola. Quasi sempre l’astuta bestiola è una gattina, mentre il ragazzo è rozzo e incapace, e spesso l’ingratitudine verso l’animale fa perdere al giovanotto ogni ricchezza. Non nel caso di questa messinscena dove, as usual, abbiamo scelto un rassicurante lieto fine, preceduto, though, da una prova di lealtà e sincerità da parte del “Marchese di Carabà”.

Posto unico non numerato € 8,00 + presale

Friday 23 and Saturday 24 January hours 21, Guascone Teatro presenta “Marinati ‘43” di Andrea Kaemmerle e con i Gatti Mézzi, con Tommaso Novi, Francesco Bottai e Andrea Kaemmerle.

Dopo il grande successo dello scorso anno torna il trio Gatti Mézzi e Andrea Kaemmerle, e propongono al pubblico “Marinati 43”, the new show that if they play the same epic journeys around the globe, with loads of potatoes and Turkish wines, loves won and then abandoned, as the Trieste Ilona, drunk sailors desperate, leftover food, replicated in a big way and the days ultra-planned cruise ship, where you go everywhere but can not see anything.

Between songs, jokes, anecdotes, legends and delusions witness a journey where "very high" and "very low" are intertwined. A fresco fun where poetry and slogans from underdeveloped team up to make a tribute moved, as amused by the sea and its stories.

Assigned Seating € 18,00 + presale

Thursday, 29 January hours 21, Produzioni Fuorivia presenta "Nothing in scompagine" Nada Malanima;
lights and props Andrea Violated, costumes by Antonio Marras,
directed by Alessandro Fabrizi,

"In a closed room, a woman is waiting for an operation that will erase from the mind and the eyes watching her another, his confidante hallucination which has always been a relationship of affection and hostility "; writes Nada Malanima to opening words of his "Scompagine", a monologue that also calls: "Dramedy".

On the scene a woman, of old age but indefinable, nailed to an old chair (evidently it your, his favorite), who wonders, and asks us: where are they? Then begins to tell, in dialogue with herself that she loves and hates.

Flow so the events of a story, a life, la sua: loves and terrors, the father of her daughter and the Black Man (Indeed, four men blacks), travel real and imaginary journeys, a "marriage off", the cure, hospitals, the observations of the hasty "psicoqualcosa"; and soon we realize that this woman does not belong to the category of "sane", but it is part of those "organisms studied to be understood" and that too often are destroyed. But she do it: sitting on his motorized chair, take over the scene and there roams, mettendoci a confronto con una vita vissuta, in and out, dangerously and joyfully.

She, says, is waiting for the "neuroleptoanalgesia" that will free itself of that bothers; is a clinical case, certainly. But we understand. We feel that tells, extremes, a focal point of our being in the world, a there always be at least two: our thoughts and that I listen to them.

How will the clash? Really the other she will be sacrificed? O will be at the bottom and finally received in a deep perception of the complexity of what is to be? La donna si chiede e ci chiede: it is better to be healthy but feeling sick or being sick but feel healthy?

The sector € 20,00 + presale
II sector € 16,00 + presale

Friday 30 and Saturday 31 January hours 21, una produzione Andrea Maia Teatro Golden e Vincenzo Sinopoli presentano Gianni Ferreri, Daniela Morozzi, Emanuele is beneficial and Giulia Marinelli, in "Call it still Love", Augusto Fornari, Toni Fornari, Andrea Maia, Vincenzo Sinopoli;
directed by Toni Fornari.

"Call me love again" is the story of a couple "close-knit" on the eve of the silver wedding. They have a son who graduated "not taken down" from home with a girlfriend "extravagant" and 2 iPad. On the eve of the 25th wedding anniversary son discovers that his father and mother, the one without the knowledge of the other, entertain a relationship via chat and that night, inventing reciprocal work commitments, must meet for the first time their "lovers virtual".

A hilarious comedy, reversing the roles, forcing a child to invent a diabolical plan to prevent the dangerous encounter and save at least the wedding of her beloved parents.

Gianni Ferreri is the Neapolitan Giuseppe Ingargiola of "Police District". Even as a child approaches to theater and music. Work with actors like Lia Tanzi, Giuseppe Pambieri, Mario Scarpetta, Mario Merola, Isa Danieli. Lots of his works in theater, television and cinema. Among his film fil: Wishes professor of R. Milan; The last New Year's M. Risi; Love has no boundaries of P. Sorrentino; Napoletano spell of L. Way e P. Genoese. In Tv worked in: Piper F. Vicar; The A Team. Peyetti; Play directed by G Star. Nicotra.

Daniela Morozzi is known by the general public for playing, for 10 years, Ingargiola victory in the cult series "Police District". Theater actress, part by 1988 League Italian Theatrical Improvisation of which from 1993 is also a teacher and artistic director. Among his works: Ovosodo and kisses and hugs Paolo Virzi; Homecoming Gori Alessandro Benvenuti.

Emanuele is beneficial, actor of film and television where she played Lucio Pregoni in fiction Mediaset "The high school". A movie theater is interpreter: "My Brother Is an Only Child" by Daniele Lucchetti; "Great big and Verdone" Charles verdone; "Christmas in Rio" and "Christmas in Beverly Hills" of Blacks Parenti; Manual of Love 3 "by Giuseppe Veronesi and in" The move of the Penguin "by Claudio Amendola.

The sector € 22,00 + presale
II sector € 18,00 + presale

The Teatro Puccini

Notebooks, III edition
Readings of short stories edited by Marco Vichi with Lorenzo Degl'Innocenti, in collaboration with Contempo.

For this season continues the search for Marco Vichi and Lorenzo Degl'Innocenti universe of the short story. Every night two stories during which will be offered pastries, tea and hot chocolate from the pastry "Silvano and Valentino".

This year, the duo became a trio, because the choice of songs will work the fledgling literary magazine Contempo, specializing in stories but dedicated to fans of the literature. Some of the stories will be chosen by their own magazine, which will be distributed a few copies for absolutely free, during the reading of Notebooks. Will always be the editorial director Carlo Benedetti, that closing of the evening will give some tip.

Friday 9 January hours 21.30
Readings by Julio Cortázar and Mikhail Lermontov

Friday 16 January hours 21.30
Readings by Mikhail Bulgakov and Charles Bukowski

Friday 23 January
Readings by Franz Kafka and Alice Munro

Friday 30 January hours 21.30
Readings by Gian Carlo Fusco and Raymond Carver

Friday 6 February hours 21.30
Readings by Anton Chekhov and Marco Vichi

Friday 13 February hours 21.30
Readings by Jack London and Giuseppe Tomasi di Lampedusa

During the readings will be offered pastries, tea and hot chocolate. Viewers must wear a cup and, if they want to, a pillow.

Admission € 5,00 + presale

Case Teatro Puccini is open Fridays and Saturdays from 15:30 at 19:00 and the days of the show an hour before the start. Tickets are also on sale at the regional circuit Box Office.
Purchase online at http://www.boxol.it

Michael Lattanzi

By the number 46 - Year II 07/01/2015

Teatro Puccini
Via delle Cascine 41
50144 Florence
Such. 0558362067
www.teatropuccini.it – info@teatropuccini.it
www.facebook.com/teatro.puccini
twitter@TeatroPuccini